Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Thelonious Monk: Ken Burns Jazz [Columbia/Legacy, 2000]
I like every album he ever made, and they do vary sonically. But Monk's piano is so distinct that from 1947 "Night in Tunisia" rewrite to 1971 "Nice Work If You Can Get It" decon this collection moves as one thing. Like Basie, Monk is a minimalist master of silence and space. But where Basie's few notes imply the full-bodied riff he's prepared for the band, Monk writes the way he plays. His tunes are spare, misshapen things that seemed bizarre in the '40s and eccentric in the '50s--and that now sound like they've always been there. Except for the late "Green Chimneys," every head singled out here is a known classic, equally potent and idiomatic whether Monk trips around trio or solo, corrals Rollins or Coltrane, or slips a little something to the boon companion of his icon years, tenor man Charlie Rouse. And then there are the wickedly timed and modulated comps that mine his sidemen's staunchest efforts. So humorous. So pointed. So on the fractal. A+