Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Arabesque Tlata 3 [React, 2003]
The third and reputedly best of Algerian-born London restaurateur Momo's world comps, this Maghreb survey has its quirks. Up-to-date though it must be, it leads with "N'Sel Fik," the definitive rai classic since Chaba Fadela and Cheb Sahraoui released it 20 years ago. It also leans on Cheb Khaled's arty 1988 crossover Kutché, and in general starts roots and goes soundtrack as if that's progress. Which for Momo it is. On London DJ Hamid Zagzoule's terrific 2001 Tea in Marrakech (with which this CD shares a great hit by a Spanish nanny from Sudan), North African authenticity redounds to preservationists with an ear for the hooks every old culture recycles. Momo is drawn to diffusion. Natacha Atlas is fine with him, ditto the arranged marriage of Cheb Mami and Nitin Sawhney. And since in London up-to-date means dance music, dance music it will be--Moroccans jarring Egyptian shabi toward electronica, theories of trance merging like record labels, an ethnotechno excursion named "Ford Transit." A-