Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Mory Kante: Sabou [Riverboat, 2004]
"Acoustic" album by the griot and Rail Band alum, whose early-'90s Mango crossover attempt never followed up on the market-changing 1987 Afrodisco hit "Yé Ké Yé Ké." Note that in West Africa acoustic doesn't mean quiet or contemplative. It means disco isn't working anymore, and it also means neotraditionalist. Strictly speaking, horns are acoustic, but who needs 'em, and when doun doun drums don't generate the bass you need, why not cheat now and then with an "electro-acoustic"? Point is, on most of these tunes the groove is fierce and subtle, and on the others subtle is enough. Strong women add drive and state melody. Kante's kora and Adama Condé's balafon embellish in rhythm. A-