Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

The Sound of the City: New Orleans [EMI, 2003]
Surely some exploiter will step forward, or wouldn't it be nice if the Smithsonian strong-armed licensors into sluicing royalties right to the Ninth Ward? But with Rhino's three-LP canon long ago put under and Shout! Factory's four-CD Doctors, Professors, Kings & Queens tourist-board hype, this Charlie Gillett creation is easily the finest available overview of the lost city's rock and roll heritage even if you have to e-mail England to get one. On what is essentially a rock-era survey, the New Orleans tinge sustains a perilous segue from "Let the Good Times Roll" to "West End Blues" to (Bobby Bland's) "St. James' Infirmary." No Mardi Gras krewes, but Gillett does remember every major artist as well as irreplaceable one-shots from Jessie Hill's high-principled "Ooh Poo Pah Doo" to the Animals' carpetbagging "House of the Rising Sun." And though he deals a few sixes and sevens, ace finds start with Archibald's boogie-woogieing "Stack O Lee," Jerry Byrne's frenetic "Lights Out," Willie Tee's pimping "Thank You John," and two very different Bobby Charles songs--one young, dumb, and itching to be free, the other disabused, disabusing, and longing to make love work. A