Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

The Roots: How I Got Over [Def Jam, 2010]
It's not like hop-hop and anxiety are strangers. But usually that means the mortal fear epitomized by the Notorious B.I.G., or the rampaging neuroses dramatized by Eminem, or the hand-to-mouth worries some alt-rappers cop to. Here it's garden-variety upper-middle-class anxiety. What's next? Am I doing the right thing? Can I pass my accomplishments on to my kids? Is the economy about to go phlooey? Is God on my side? Is God on anyone's side? These are exactly the querulous feelings associated with the alt-rock famously present on the Roots' ninth album in the form of the Dirty Projectors, the Monsters of Folk, and the perfectly sampled Joanna Newsom. Difference is, complex-rhyming Black Thought and his many gifted guest MCs express them more directly, thoughtfully, eloquently, and entertainingly than any of those tyros. And then they up the ante and confront their anxieties with a fortitude and even optimism embodied by Kamal Gray's keyboards, never my idea of this band's strenth, and, especially, ?uestlove's drums. I love sampled beats. But 90 percent of the time I'd rather ride Ahmir Thompson's hand, feet, and brain. A