Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Sleigh Bells: Reign of Terror [Mom + Pop, 2012]
I'm happier than I would have figured that they've cut down on their distortion-flaunting pile-of-sound shtick. Several times, in fact, Derek Miller makes me love guitar sounds as bell-like as Alexis Krauss's crystalline soprano, as tapered as her gorgeous gams. Then there's the dying siren that repeats addictively through "You Lost Me"--the one that makes me say, So what if the lyric is about singing from the grave, death is real, and anyway, I really want to hear that sound again right about--yeah! After all, "Comeback Kid" does stay positive no matter how brutally Miller pummels his own riffs with that drum sample. That's nice, right? Elsewhere it's just sweet sensation. Succumb--succumb. A-