Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Bruce Springsteen: Wrecking Ball [Columbia, 2012]
The first six tracks are all heavy irony shading over into murderous rage, with refurbished arena-rock to slam it home; it's perversely anti-political to lay any other interpretation on the opening "We Take Care of Our Own," which cites places "From the shotgun shack to the Superdome" where we--meaning the U.S.A. so many Americans weren't even born in--documentably haven't taken care of our own. It's protest music, damn right about moral abstractions rather than those finely limned characters good little aesthetes get gooey about, and for me a cathartic up. Second half's less of a scour, which the anti-political find a blessed relief and I find a forgivable nod to humanism and Clarence Clemons--especially since the climactic "We Are Alive" is so vulgar as to assume that all America's oppressed will rise up from the grave they share. To wreak vengeance, y'think? They got a right. A-