Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Amadou & Mariam: Folila [Nonesuch, 2012]
As if their charming calculation has become routine--maybe for them, maybe for us--this never takes off the way Welcome to Mali did. But it does hang in there, and rewards attention, especially as regards its many cameos: less big names Santigold and TV on the Radio than Tuareg guitarist Abdallah Oumbadougou shredding louder than Nick Zinner or Scissor Sister Jake Shears disco and proud. Not so welcome is perpetual guest Bertrand Cantat, a lapsed French rocker-activist who did a mere four years for beating his girlfriend to death in 2003. True, Cantat's harmonica tenses nicely against Ahmed Fofana's ngoni in "Sans Toi." But mostly he sings, and he's no Tunde Adebimpe or Kyp Malone. There's such a thing as taking tolerance too far. A-