Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Thelonious Monk: Thelonious Monk Trio [Prestige, 2001]
There's a special use value to this 10-track collection, eight from 1952 with two from 1954 mixed in, which has been reissued in more iterations and titles than I can catalogue--my copy is PR-CD-7027-2 and begins with "Little Rootie Tootie," as it should, but others reshuffle the same takes. What all offer is the not so common chance to hear Monk as a solely featured soloist with a rhythm section. Moonlighting NYC cop Gary Mapp is merely functional like so many Monk bassists, although even he has to hop around to follow the razzle-dazzle child's play of "Little Rootie Tootie," and Percy Heath adds his own flourishes to the 1954 "Blue Monk," which at 7:36 is the only selection out of three-minute range. But drummers Art Blakey and Max Roach are co-stars--don't ignore Blakey's rhumba sticks on "Bye-Ya" or Roach decorating "Bemsha Swing," one of several tunes Monk rocks like one of his stride-piano idols. Monk signed with Prestige after an unwarranted arrest that cost him his cabaret card prevented him from showing off his mastery of a body of melody as fetching and mind-boggling as Gershwin's or Berlin's. And if not every original is from the top of his canon, the Russ Columbo chestnut "Sweet and Lovely" could almost be "Round Midnight"'s fraternal twin when he makes it his own. A+