Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide Album

Iris DeMent: My Life [Warner Bros., 1994]
Although her attack is more austere, DeMent's voice is as country as Kitty Wells's or Loretta Lynn's, and her writing defines the directness sophisticates prize in traditional folk songs--she has something she wants to say, and so she proceeds from Point A to Point B in the straightest line she can draw without a ruler. She doesn't get lost not just because she knows where Point B is, which is rare enough in this ambivalent time, but because she knows where Point A is--she knows that who she is begins with where she comes from, and she's made her peace with that. Unlike so many American artists who outgrow fundamentalism, she's not wracked by rage or guilt; at worst, she's sad about her distance from forebears she loves and admires despite their strict morality--a morality she'll never return to even though it's the bedrock of her personality and ultimately her work. The only change her major-label move means is a firmer commitment to pleasure--that is, to melody. Her dad, who gave up the fiddle when he got saved, would surely understand. A+