Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

New York Dolls: In Too Much, Too Soon [Mercury, 1974]
Like so many cocky songwriters, David JoHansen overloaded his debut with originals and then found that record promotion wasn't a life activity that inspired new ones. But his stock of golden oldies is so private--Leiber & Stoller's "Bad Detective" could have been written to order, and he steals "Showdown" from Archie Bell--that this expresses his innermost self and locates him in history simultaneously. It also avoids such mundane follow-up perils as excess ambition, minimal material, and instant tedium. Follow-up producer Shadow Morton has psyched him into recutting the vocals until his full talents as an impersonator shine through. He's also added gongs, gunshots, and girlie choruses to JoHansen's usual slew of sound effects. Greatest sound effect: Johnny Thunders's buzzsaw, destined to vie with heavy-metal fuzz in the hearts of rock and rollers everywhere. Greatest non-JoHansen song: Johnny Thunders's mewling "Chatterbox." A+