Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Amadou & Mariam: Tje ni Mousso [Polydor/Universal, 2000]
Riding out on the bedriff of Stevie Wonder's "Higher Ground," this "blind couple of Mali"--their chosen billing, and you should see their sunglasses, since they can't--"déconcertent et séduisent en recyclent avec un fausse naiveté musiques africaines, américaines et européenes," says one Alsatian critic. Got that? "Disconcert and seduce while recycling African, American, and European musics with a false naïveté," only in French it sounds better. Just like the accompanying lyric, whose minitrot reads, "Here we come singing for freedom, happiness and love all over the world." And that's not even to mention the Bambara one summarized as "Welcome to women who respect their husbands." Cheap and charming, they play and sing with the multicultural comfort Malians who emigrate to Abidjan and then Paris rarely find the fit for. A-