Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Captain Beefheart and the Magic Band: The Dust Blows Forward: An Anthology [Rhino, 1999]
The proof of his avant-gardism isn't the rejects and weirdness of Grow Fins. It's that the music (if not the poetry) on his finest albums--Shiny Beast (Bat Chain Puller) (1978), Lick My Decals Off, Baby (1970), and Doc at the Radar Station (1980), with the insufficiently fluent Trout Mask Replica (1969) a distinct fifth behind Ice Cream for Crow (1982)--is more gripping and coruscating than ever. But only Trout Mask is in print domestically. And while this double-CD lifts heavily from all while pulling him as far out of shape avantwise (blame Frank Zappa) as popwise (blame Ted Templeman), it also documents, more songfully than he ever cared to, the progress of blues that were progressive to begin with. That's right, blues, no matter what he says, from Skip James and Elmore James to Ornette Coleman and James Blood Ulmer, who Don Van Vliet may never have heard and who should only be so dense and nutty. Another referent: the Band at their careening best. Another: Pavement. Repressive tension, explosive release; sprung rhythm, fugueing melody. All that. A