Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Baaba Maal and Mansour Seck

  • Djam Leelii [Mango, 1989] A-

See Also:

Consumer Guide Reviews:

Djam Leelii [Mango, 1989]
The most compelling and beautiful of West Africa's ever-increasing stock of folkloric preservations is a 1984 collaboration between two Tukulors, an ex-law student and a blind griot. Brit reviews suggest a cult record on the order of Mystère des Voix Bulgares: "timeless, resilient and dignified," "mesmeric, stately and gently stirring," "gentle, cyclical," "transfix and hypnotise," and oh yes, "on permanent repeat." For postindustrialized listeners, the interplay of recurring guitar patterns and penetrating Afro-Islamic voices adds up to background music with soul, nearly an hour of it on CD--in a quiet mood, we can still the world's sorrow by immersing in it. There's no point denying that it's valid as such. But my pleasure is dimmed slightly by the knowledge that the title track, for instance, is about young Tukulors forced by colonial borders and encroaching drought to seek work far from the roots the music celebrates. Seems a tad exploitative to bend such specifics to my own needs. At the very least I'd welcome a trot. A-