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Remmy Ongala and Orchestre Super Matimila
- Songs for the Poor Man [RealWorld, 1989] A
- Mambo [RealWorld, 1992]
Consumer Guide Reviews:
Songs for the Poor Man [RealWorld, 1989]
Isolated culturally and economically by socialist underdevelopment, Tanzanian pop nurtures national treasures more diligently than neighboring Zairean and Kenyan styles--though since soukous is hegemonic from Accra to Harare, you can bet both compete mightily. Ongala's unbrassy lineup--three guitarists, three percussionists, a bassist, and a sax player or two--doesn't strive the way Afro-Parisian often does, which is a relief. Rather than relentless Afrodance upmanship, he cultivates a variety that suits Tanzania's folk-friendly cultural policy. And whatever their actual rhythmic origins, the up-front conga parts that double the guitar lines convey an esteem for both tribal difference and East African ways that complements the caring precision of Ongala's singing and the undulating buoyancy of his groove. Sweet. Strong. Maybe even self-sufficient. A
Mambo [RealWorld, 1992]
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