Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Dizzee Rascal

  • Boy in Da Corner [XL, 2004] A-
  • Showtime [XL, 2004] **
  • Maths + English [Def Jux, 2008] ***

Consumer Guide Reviews:

Boy in Da Corner [XL, 2004]
The first thing to understand about Dizzee is that his fundamental appeal is musical, and the second is that there's very little music there. Break down a track and often you'll find only an electro beat--at most three or four sparse elements, rarely long on sustain or tune. Yet as someone who mocked the minimal means of U.K. garage and considered the Streets barely music at all, I was captivated by Dizzee's sound the moment I heard the import. His adolescent gulps and yowls are street-Brit with a Jamaican liquidity, as lean, eccentric, and arresting as the beats. The voice also lends a comic, claustrophobic vulnerability to rhymes whose brilliance varies, though their winning youthfulness does not. Whether he can grow as a lyricist as he struggles to comprehend his success is the old conundrum. The smarts he's got. The right advice will be hard to come by. A-

Showtime [XL, 2004]
His sound is his story, and it better get more explicit ("Showtime," "Girls"). **

Maths + English [Def Jux, 2008]
Fick and foughtful, finally ("Sirens," "Hard Back [Industry]"). ***