Robert Christgau: Dean of American Rock Critics

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Karantamba

  • Ndigal [Teranga Beat, 2012] A-

Consumer Guide Reviews:

Ndigal [Teranga Beat, 2012]
Gambian guitarist Bai Janha is best known as the leader of Guelewar, whose murky 2011-reissued Halleli N'Dakarou is slotted "psych" because some striver scored himself an organ. Much better this previously unreleased testament of Janha's last band, recorded in 1984 by the Malian-Danish bassist Moussa Diallo during Karantamba's residence at his club in Thiès, 35 miles east of Dakar. The personnel are unidentified young proteges of Janha who I surmise are mostly Senegalese, because no matter what Janha does or doesn't call it, these kids are playing some kind of mbalax--Islamic singing over sabar drums rattling away, horns adding sour decoration and commentary, Janha wailing. There was only one Étoile de Dakar. But this is a find, well-rehearsed yet bold and untamed. A-