Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Mahlathini

  • The Lion of Soweto [Earthworks/Virgin, 1987] B+
  • King of the Groaners [Earthworks, 1993] A-

See Also:

Consumer Guide Reviews:

The Lion of Soweto [Earthworks/Virgin, 1987]
Recorded in the late '70s, with tough mgqashiyo mbaqanga out of favor among cultural as well as assimilationist blacks, this proves Mahlathini's staunch loyalty to the style he originated, his total lack of alternatives, or both. The notes say its "refusal to compromise" delivers "Mahlathini at his very peak"; I say that without Makgona Tsohle and the Mahotella Queens it sounds almost as generic as late Toots, even though (and probably because) the man carries the lion's share of the music himself. But I'll add that the glosses make me wish I could follow along more closely. A city "where women have got no mothers," a challenge to witch doctors, and a greeting to the spirit of his own youth all seem to transgress ever so slightly against the traditionalism that is mbaqanga's chief strength and most daunting limitation. Good. B+

King of the Groaners [Earthworks, 1993]
Powered by studio stalwarts who know their own strength, the music he's aimed for since his early-'80s comeback has been a runaway train, as unwithstandable as a prime metal anthem. And the late-'70s stuff on The Lion of Soweto often seems despondently formulaic. This early-'70s music is spare, exploratory, feeling its cornmeal--always less luxurious than the songs of his maturity, sometimes more fun. And let's hear it for Alfius Madlokovu, whose bass has strings. A-