Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Sonny Rollins: Ken Burns Jazz [Verve, 2000]
Epitomized in 11 flawless 1954-1966 tracks is jazz's greatest living improviser as questing modernist, before he settled into his seigneury at Milestone. Almost every player is a titan trying: Davis and Gillespie and Brown, Hawkins and Stitt, Silver and Flanagan and Bley, Clarke and Roach and Jones. Yet Rollins owns every track. On straight bebop and postmodernism crossing the bridge, "Body and Soul" and "St. Thomas" and "I'm an Old Cowhand," his fluid, muscular, sardonically confident sound justifies his omnivorous appetites and vitalizes his twistiest abstractions. I'm not literate enough to explain what "Alfie's Theme Differently" has to do with "Alfie." But I bet Burt Bacharach thought about it for a good long time. A+