Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Ike Turner: Here and Now [Ikon, 2001]
Ike Turner is the kind of innovator best appreciated by connoisseurs--for his solos, his arrangements, the singers he exploited. One of these, headlong shouter Jackie Brenston, had his name on the 1951 r&b smash and first-rock-and-roll-record nominee "Rocket 88." On this comeback, 69-year-old Ike, who hasn't made a solo album since 1972, slows the classic just a hair, and though his typically expert band hits the groove on all cylinders, his raspy vocal could use an oil change. And so it goes. Of the seven songs, only the newly minted sexist novelty "I Need A-Nuddin'" properly shows off his comic baritone, and only a remake of Turner's old Billy Gayles showcase "I'm Tore Up" conveys the urgency palpable in late Muddy Waters or Alberta Hunter. Of the four instrumentals, only the fast-moving "Baby's Got It"--highlighted by Ike's (or maybe Ernest Lane's) piano--strops up the kind of edge that sharpens 1994 Rhino compilation I Like Ike! throughout. Ike can still get it up, definitely. But how much he enjoys it isn't as clear as it should be. [Rolling Stone: 3]