Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Nicki Minaj: The Pinkprint (Deluxe Edition) [Cash Money/Republic, 2014]
Sometimes gossip can be so enlightening. The reflective opener "All Things Go" is pretty solid on its own. But word that this particular best rapper alive just ended a 12-year relationship with her homeboy boyfriend renders the two ballads that work off that prologue touching. The bad part is that it doesn't render them major ballads, although she gets somewhat closer on "Bed of Lies" at the other end of the narrative arc before overblowing the supposedly climactic "Grand Piano." Only then come three album-defining bonus tracks. The Meek Mill-assisted "Big Daddy" is so generic it establishes how ungeneric the Drake/Weezy-assisted "Only" and the Lunchmoney Lewis-assisted "Trini Dem Girls" were--makes you want to play them again, in fact. And on "Shanghai" and "Win Again," Minaj returns to her triumphalist mode prepared to embrace the role of a 32-year-old woman ready for love--even, in both songs, the motherhood she reflects on as the record begins. A-