These are questions submitted by readers, and answered by Robert Christgau. New ones will appear in batches every third Tuesday.
To ask your own question, please use this form.
July 24, 2018
[Q] I appreciate if you will give a grade for Keith Richards' Crosseyed Heart album released in 2015. -- Kotaro Ueda, New York City
[A] I've gotten a lot of questions asking me to grade or review albums that for one reason or another I've skipped and feel I'd better make a few things clear. Many of my readers seem to feel I walk around with a mental file of graded albums I've never written about. I do not. Grading is work, and that work isn't done until I write the review in question, which in the case of anything that gets a letter grade can take anywhere from an hour or two to most of a day once I sit down to it. By the time I start to write, I generally know what grade to expect, but it's not unusual for me to change my mind as I concentrate cut-by-cut and start scratching around for detailed language. Recently, Beats Antique started as either a *** or a B plus and ended up an A minus, where Neko Case began as a probable A minus, sunk to ***, and then eked back up to B plus.
One more thing--I haven't memorized my own work. Did I really say there were three worthwhile songs on The Wall, an album that came out in 1979? Not that I can Google. (I did relisten as it became such a phenomenon, but haven't played it for figure 30 years at a minimum.) And then there was the guy who asked my opinion of six Neil Young albums I couldn't recall at all, although a couple of the titles looked vaguely familiar--for the record, both Psychedelic Pill and Storytone showed up in my Neither file, which these days is kind of an honor, because I seldom add to it now that I don't feel obliged to nail down every possible Honorable Mention. That's why I laid off Arcade Fire's Everything Now. Was it perhaps a *? I don't consider it my obligation to history to make that call.
As for Crosseyed Heart, it came out at around the time EW switched over to Noisey and I believe I missed it altogether, which can happen, especially when I'm working without direct oversight, as happened at all my post-Voice Consumer-Guide-style outlets, MSN and Medium as well as Noisey. First play on Spotify as I write it sounds like some kind of Honorable Mention--songwriting deliberately generic.
[Q] You never reviewed an album by the Wedding Present. Do you have any opinion on them whatsoever? -- Ryan, Urbana, Illinois
[A] Hmm, you're right. I never reviewed an album by the Wedding Present. They're not even in the Neither file. Wonder why. Greil loved them, as I recall, but our tastes mesh much less often than they diverge. Guess I didn't like them that much. The RCA period of 89-93 (saith Wikipedia) would have been when I gave them a shot. Lot of drones, as I recall. But that was a quarter of a fucking century ago.
[Q] There are articles on your site relating your favorite albums of the 70s, 80s and 00s, and I have seen posted elsewhere your picks of the 60s and 90s. I was wondering what are your personal choices of the 50s, whether they be studio albums (obviously a rarity of the decade, except in the world of jazz) or compilations? -- Nigel, Sydney, Australia
[A] Fifties rock and roll was a singles music best appreciated on all the compilations I've reviewed. Elvis nuts swear by Elvis Is Back!, which even so was 1960, and Ned Sublette had an early Elvis album he bonded with. Chuck Berry Is on Top was 1959 but was soon superceded by the endless succession of GH albums. If someone were to find an actual Chantels album that didn't cost a zillion dollars from somebody's basement in Teaneck, I bet it would be super, but not as super as their Rhino comp. Etc. A few years ago I bought a four-CD set on the Real Gone label that included six Bo Diddley albums plus bonus tracks. Title: Bo Diddley, great. Then it cost 20 bucks or so, now I don't find it. I expect it would be worth sorting out--Diddley was very smart about such stuff. The major exception I'm aware of is Ray Charles's 1959 What'd I Say, which I bought myself as a graduation present in 1962 and played as much as my Bird my first year out of college. Now I'd call it an A minus--definitely some filler there.
And then there are the jazz albums of the '50s. Many great ones--more than I or you will ever hear.
[Q] Hi Mr. Christgau. I would like to ask a question about one of my favorite bands, Nirvana. Why did you grade all their albums A except for their first one Bleach. Don't you think Bleach is just as good as the others, so it is also be an A or at least an A-? thank you sir. -- Donny Sullivan, Portland, Oregon
[A] I never rated Bleach because it came out in 1989 and I glommed onto Nirvana with Nevermind in 1991, by which time the '80s book where I caught up with many other things I'd overlooked, which always happens, was already out. I wrote about it briefly in the New Yorker review of Charles Cross's Cobain bio that I published in 2001. Reads like an A minus. Here's what I said.
[Q] In your review of Tierra Whack's Whack World, you mention your commandments for your school of Orthodox Rock Criticism and list three tenets. I'm curious how you developed said orthodoxy and if there are any other commandments you didn't mention. -- Jon LaFollette, Indianapolis
[A] The Commandments are, of course, a joke. Made up on the fly.
I was trying to come up with a lead that would account up top for Whack's video rep and the "Thou shalt not watch the video" line popped into my head--that's the way jokes are, right? Soon after, same phase I think, I realized videos didn't deserve pride of place and added the "Never read the comments" line--which is, by the way, a byword for most of the writers I know, a lot of editors too only they can't admit it because it'll make their bosses mad. But that review was written three-four days before deadline and it kept passing through my mind, as pending reviews do. And it dawned on me that not getting there first is an m.o. that needs all the ink I can give it in the age of instantaneity from which I grumpily dissent, so put "Fuck getting there first" first.
Might be fun to think of others, I suppose, Unfortunately, it would also be work. Anyway, all that occurs to me is "Fuck you if you can't take a joke," and unless I were to decide to alternate "Fucks" and "Thou shalts," I think one "Fuck" to open is a better idea.
[Q] Hi, Mr. Christgau! I took at least one of your nonfiction courses at NYU, back in 1990 or 1991, and I thank you. When I stare at a blank document, fingertips hovering over the keys, I visualize the question you'd write on the blackboard: "What do you want to write about?" I recall one project, in particular--my proposed column "It Won't Kill You," targeted at hypochondriacs. You helped a boyish, pre-Google me discover the word I needed for my first topic: "priapism." You also were kind enough to see my band The Dendrite at CBGB. I later explained that in addition to my bandmates "the rocker, the hippy, and the punk," I was Moe. Please let me know if I may take you out for dinner and/or beverages--or if you have a night class that I could observe. At any rate, best wishes with Xgau Sez and thank you for the way your meticulous syntax scrubs my brain. -- David McClintock, Brooklyn
[A] This (slightly edited version, natch) isn't really a question, but I've figured out a way to make it one and am far too vain to throw it on the scrap heap. It was 1991, I remember your name but not your face, as I do recall Louis Braham, John Quinan, Roni Sarig, and Marisol Marrero. You and Braham got full A's as did Sarig when he took the course again the following year, The question as I interpret it is whether you can take me out for a drink and the answer is sure, it would probably be interesting, but only in theory 'cause there's stuff going on. Will email you privately.