Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Etta James: Seven Year Itch [Island, 1988]
Unbeknownst to white people, she was Soul Sister Number Two--more and better top-20 r&b back when than Dionne Warwick, Martha Reeves, Tina Turner, Carla Thomas, Irma Thomas, any black woman besides Soul Sister Number One and Diana Ross, who belongs to pop. She's been a cult heroine since around the time she kicked heroin in 1974--albums with Wexler and Toussaint, tour with the Stones, etc. But her many post-'60s recordings have disappointed: often out of touch with herself (didn't kick alcohol till much later), she could coast on savvy and a fabulously down-and-dirty voice. So I expected not much from what turns out to be her best album since she met Barry Beckett at the Tell Mama sessions in 1968. Part of the difference is Beckett, the producer who's constructed the solidest bottom and sharpest top of her career, but mostly it's the something extra she invests in these half-remembered Memphis-type standards. Not all the way there--all the way there is hard after 35 years in the biz. But not cult-only either. B+