Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Beirut: Gulag Orkestar [Ba Da Bing!, 2006]
Play Boban Markovic or Kocani Orkestar and you hear contained chaos and wild drums. Play Beirut, most of it multitracked by young Zach Condon working alone, and you hear irrepressible melodicism tempered by harmonic melancholy. Rather than a watering down, this mildness is a détournement, the personal stamp of a romantic caught twixt Keats and Ossian--half prodigy, half bullshit artist. He might even bring off the Buckley-Wainwright-Yorke vocalisms if he minded his words instead of melismating croons and moans. But only twice does Condon's mumble venture into the light: "What can you do when curtain falls/What will you do when curtain falls/You're left right, left right, left right, left right, left right, left right, left right, left right" (the Balkans, fucked coming and going) and "The times we had/Oh, when the wind would blow and rain would snow/Were not all bad/We put our feet just where they had to go" (the sorrows of young Zachary). B+