Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Grandaddy: Under the Western Freeway [V2, 1998]
An indelibly local unit from the sun-baked I-5 nowhere of Modesto, California, they orchestrate lo-fi so cunningly that the tunes arising from the murk seem angelic in their grace and uplift. The title instrumental, a descending scale voiced by several flutes or recorders and a roomful of busted Casios, sets the standard. But that's not to say skateboard pro turned glorified garbageman Jason Lytle throws away the words, starting with a lead track that dissents from meritocracy with a quiet defeatism too subtle and eloquent for any simple slacker. No matter how wearisome Lytle finds all the Neil Young, Howe Gelb, and Pavement comparisons, they triangulate him accurately and honorably. A−