Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Herbie Hancock: Sound-System [Columbia, 1984]
Future Shock was a pretty good album despite its dink quotient; this is a better album despite its schlock quotient. Where's-the-melody is beside the point, because even when they're just hooks the melodies seem a little obvious, without the physical or intellectual bite of the rhythm tracks (nowhere mightier than on the amazing "Metal Beat," recommended to those who think Trevor Horn is into something heavy). And me, I doubt Herbie should be playing more "jazz"--several of the false moments here are provided by Saint Wayne Shorter himself. The African exotica of Foday Musa Suso and Aiyb Dieng, on the other hand, sounds right at home. As does the South Bronx exotica of D.St. A−