Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

The Roots: Undun [Def Jam, 2011]
It speaks well for their strength of mind that Jimmy Fallon hasn't just been good for their economic viability--he's been good for their music. But superb though their 2008 and 2010 records were, and admirable though their equipoise has been, concept albums are such sinkholes that the partial success of this reverse-chronological tale of a doomed small-time hood is more surprising than its partial failure. Maybe I could work out plausible meanings for every song like some exegete brushing the cobwebs off "Sad Eyed Lady of the Lowlands." But all song cycles have holes in them, and really, just exactly what level of sagacity do we expect from Black Thought--or Bob Dylan, for that matter? What I get from Black Thought, as usual, is flashes of insight and articulated feeling. The sharpest verse here is Dice Raw's on "One Time," which along with "The Otherside" is the closest the song cycle comes to a stand-alone song. So what I get from the album as a whole isn't a feel for the fictional Redford Stephens. It's the pop refrains, Euro orchestrations, and simplified drumming absorbed by a sound that shows no sign of standing pat. B+