Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

J Cole: Born Sinner [Roc Nation/Columbia, 2013]
You can see why this diligent St. John's magna tops off his make-or-break with the apologetic "Let Nas Down"--the totemic rapper he betrayed, apparently, by tacking the harmless banger "Work Out" onto Cole World, as if Nas rechristening himself Escobar wasn't five times as cheap. Conceptually, this album is an Illmatic move. Musically it's fancied up as it must be from the spare skills of his three mixtapes. But like Illmatic it eschews pop emoluments, and conceptually it's just as canny. Craving street cred while rejecting crime as a hustle or a metaphor, the young man who "couldn't sell crack but I rap good" plays the mack daddy. But just as the younger Nas is fascinated by the pitfalls of a corner-boy lifestyle he's not quite part of, this ambitious youngblood is a chronically repentant horndog. Most of his sex songs are also apologies--to a wife or girlfriend, to the women he discards, to other women wronged by other dogs, he varies the theme with winning empathy. But I still prefer him class-conscious: spitting "I hate richniggaz goddammit/'Cause I ain't never had a lot dammit" and ending all but one of "Mo Money"'s 24 quick lines with the M-word. On "Crooked Smile," he combines the two themes hauntingly and elusively--helped big time by the historically pop women of TLC. B+