Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

James Carter: Conversin' With the Elders [Atlantic, 1996]
Say his Wynton Marsalis side provides technique, ambition, maybe focus. Plus, OK, respect for his elders--for sure he's not mocking or upstaging Buddy Tate and Sweets Edison. But it's his Lester Bowie side that inclines him to adore their melodiousness, and their melodies. It's his Bowie side that covers a march by elder Anthony Braxton, consorts with Coltrane via elder Hamiet Bluiett, revs his own waltz into a flag-waver and reduces it to a cartoon. It's his Bowie side that covers the Lester Bowie reggae, defining the grooveful, comic, demotic tone of everything that follows. A jazz album, absolutely. But one any rock and roller who can abide a saxophone could love. A