Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Janis Joplin: Janis [Columbia/Legacy, 1993]
Having long ago wondered how she'd "hold up," I eventually concluded the answer was that I didn't feel like playing her records anymore. But it was just the opposite: one reason the music triumphs more miraculously than ever is that it's damned hard to listen to, fading into the background about as smoothly as Ornette or the Dolls or PJ Harvey. The most polished product here is the least compelling--it's in her demos, her live fracases with Kozmic Blues and Full Tilt Boogie, and especially her rough anything-goes with Big Brother that she demolishes the canard that she was some kind of blues imitator or hippie fool. For her, blues was a language to be twisted and shredded in the service of a utopian quest, a quest I swear she had the stuff to take somewhere. My only quarrel with this superb re-creation, which unveils many terrific previously unissueds and contextualizes several older finds, is that it sacrifices live rarities like "Ego Blues" to the Kosmic Blues album. You want to know more, read the liner essays by Ellen Willis and Ann Powers, which I hope aren't over the Grammy guys' heads. A