Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

The Nots: Cosmetic [Goner, 2016]
This Memphis "punk" quartet is the rare young rock band that can pull you in on music alone. The secret is in those quotation marks, because what defines their sound is the synthesizer vocalist-guitarist-honcho Natalie Hoffman convinced her visual artist pal Alexandra Eastburn to take up. Where on their debut the result was generic grrrlpunk plus sound effect, here Eastburn bears down on the keyboard's natural sustain to imbue the accomplished enough guitarbassdrums herky-jerk with a continuity that intensifies its momentum. Part of me wishes I could understand word one of what Hoffman is going on about behind such generic titles as "Blank Reflection," "No Novelty," and "Entertain Me." But if she was smart enough to lasso Eastburn and give her her head, maybe she's also smart enough not to make herself clear until she has something new to say about her angst and ours. A-