Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Danny Brown: XXX [Fool's Gold, 2011]
"It's the Adderall admiral writing holy mackerel/Your bitch say my dick long like the strap on a satchel/I took me a capsule with no hassle/Now it's like I dip feathers of ink in a castle." For Brown, these lines are subaverage. But they were playing when I decided to describe his writing, and instantly I realized that his subaverage was 90th percentile at least--vocabulary like "satchel," vernacular like "holy mackerel," arcana like the quill pen, six off-rhymes in four lines, the news that he spun them off on speed. Also, he raps in at least two voices--one higher than his Detroit homeboy Shady's, one so street-manly he sounds like someone else. By changing up the usual fatalistic dope-fiend hedonism with new verbiage and situations--I direct sex fiends to the cunt-lapping relish of "I Will"--Brown's first proper album means to show us he's got a right to "Die Like a Rockstar," meaning rich, high, and verging on bored. But two-thirds in it suddenly turns as bleak as his ruined city. "DNA" blames not his father but his father's genes. A two-song sequence frames the downhill choices of a middle-class groupie as the tragedy they are. And the social-realist "Scrap or Die" gives us the dirt on the hood's heaviest junk--scrap metal stripped from condemned buildings. A−