Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

The New Pornographers: In the Morse Code of Brake Lights [Concord, 2019]
Although Carl Newman's ability to roll out the memorable pop-rock songs few bands bother to fail at anymore is something like genius, his reluctance to make them signify is something like neurosis. The fond Brill Bruisers and the outrageous Whiteout Conditions stand tall in his band's catalogue because they address this shortfall. But the main mood to be parsed from this marginally less catchy collection is a sociopolitical dread less acute in Canada because democracy is still less embattled there: "the culture of fear," "the crime in the family," "the surprise knock," "the language of quick goodbyes." The anthemic "Colossus of Rhodes" inspired me to ascertain that said wonder was the tallest structure in the ancient world until an earthquake brought it down just 54 years after it was completed. Which I'll take to mean us Yanks should be grateful our constitution lasted 231. B+