Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Baaba Maal: Live at Royal Festival Hall [Palm Pictures, 1999]
"My voice was always very loud but very thin," so this border Tukolor bulked up his God-given instrument with the same conscious discipline that enabled him to attend law school and penetrate Wolof Dakar. But as with so many ambitious young men from the provinces, there's always been an awkwardness about him, and his Chris Blackwell-backed attempts to follow Youssou N'Dour and Salif Keita into the so-called world music market have been cluttered with horns, stabs in the dark, and invited guests. The shows have varied, too, but this four-cuts-in-40-minutes EP is the heart of a good one. It's got a montuno-driven salsa. It's got reggae universalist Ernest Ranglin in Tukolor drag. And everywhere it's got tamas wrangling into the night. A−