Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Parliament: Greatest Hits: P. Funk, Uncut Funk, the Bomb [Casablanca, 1984]
Clinton, Collins, Worrell & Co. always saved their funnest riffs (and scored their smashest hits) for P-Funk's kiddie half, which means that these radio-length condensations of the peaks toward which their concerts unwound (and around which their albums cohered) constitute their most tuneful and atypical LP. In a band that made a point of prolonging foreplay, it's like a serial climax, and the effect can be exhausting and even disorienting. But as you might imagine, it's also very exciting, an opportunity to concentrate on the deep vertical pleasures of music that makes forward motion a first principle. And as you ought to know, it was always the dense layering of whomever's guitar, Worrell's keyboards, Collins's bass, and Clinton's crafty vocal arrangements that made their forward motion stick. A