Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Run-D.M.C.: Raising Hell [Profile, 1986]
Like the Rolling Stones twenty years ago, they're middle-class lads who are into music that's hard above all--they're street because they want to be. Granted, the analogy is less than exact. Where the Stones dramatized their streetness by becoming bohemians, Run-D.M.C. remain defiantly and even paradigmatically middle-class, a much tougher trick. Run-D.M.C. project less respect for women than the Stones, and less interest in them, too. They commit more lyrical gaffes. And their music is a lot further out. Without benefit of a "Rock Box" or "King of Rock," this is their most uncompromising and compelling album, all hard beats and declaiming voices. They're proud to be black all right, but I don't think it has much to do with George Washington Carver. They're proud to be black because it means they can do this. A-