Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Salif Keita: Soro [Mango, 1987]
As he showed those few who heard the sole U.S. release by his Ivory Coast-based Ambassadeurs (on Rounder in 1984), this albino Mali nobleman is one of Africa's great singers. Like his Senegalese neighbor Youssou N'Dour, he's Francophone with Islamic projection, and like anybody this side of Jackie Wilson he falls short of N'Dour's purity and range. But he's old enough to compensate with experience, by which I mean not savvy but feeling and authority. And now, his ambassadorial ambitions largely thwarted, he's making his world pop move solo, recording in Paris with French musicians black and white. Though there's nothing as awkward as the "Rubberband Man" N'Dour committed with similar intentions, the arrangements sacrifice a quantum of groove for dramatic effects that wouldn't sound out of place on an Elton John record, and wouldn't wash there either. The way the choral work calls up the musical interludes of a Hollywood safari movie is one of the record's attractions. Needless to say, an attraction ain't all it is. B