Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Sonny Boy Williamson: Keep It to Ourselves [Alligator, 1990]
With his unerring slur and direct wit, Sonny Boy II, born Rice Miller circa 1897 and dead some 68 years later, is Chicago's third W: his great Chess albums stand with Wolf or Muddy. These 1963 recordings, culled from two much sparer purist LPs on a Danish label, are late-night visits to the Delta where he saw the light and kicked the bucket, and what they show off above all is his sexy, long-suffering harmonica cry. Where fools like his star pupil James Cotton strain against the dynamic limitations of that little piece of steel, Sonny Boy plays it like he sings it like he talks it--slyly, lethally, whispering complaints, secrets, existential questions, and promises made to be broken to anyone who ventures within earshot. Guitarist Matt Murphy on most cuts and pianist-vocalist Memphis Slim on a few are all the friends he needs. A-