Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

The Replacements: Pleased to Meet Me [Sire, 1987]
It's no different for Paul Westerberg than for less talented mortals--sooner or later he had to grow up or fall apart. That's why he got rid of Bob Stinson, who threatened to destroy the band along with himself and anybody else within range. But that doesn't mean Westerberg's guitar can extend Stinson's perpetually broken promise to harness the power of naked anarchy. Or that he can altogether avoid the sentimentality inherent in subjects like teen suicide and red red wine. Of course, with almost any other band those two songs would be airplay cuts, but compared to "I.O.U.," "Alex Chilton," "I Don't Know," "Valentine," they're product and filler. For the third straight album Westerberg delivers the goods--grimy, uplifting, in the tradition and shocking like new. No competing rock and roll mortal can make such a claim. If by some stroke he learns to handle maturity, Valhalla awaits him. A−