Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

El DeBarge: El DeBarge [Gordy, 1986]
Especially since Eldra, to honor the name his mama gave him, has shown something like genius as both writer and producer, the plethora of outside help is a double down. But though you can be sure this projected crossover is expected to produce a run of peppy crossover singles, starting with El's second straight meaningless movie theme, it has the flow of an album, even the personal stamp. This is provided not by what they're selling, the boyish clarity and indomitable sweetness of a voice a just God would have bestowed on a braver guy, but by the outside help, most of it sufficiently skillful and second-rate to mimic his rhythmic and melodic quirks. With lyrics adding hints of maturity to his customary show of naiveté and hooky beats fattened with the plush keybs of big-league pop, he almost passes as one more ingratiating opportunist. B