Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Grandmaster Flash and the Furious Five: Greatest Messages [Sugarhill, 1983]
Establishing vocal individuality without entering the cartoon territory that is funk's comic blessing and romantic/realistic curse, they locate rap somewhere to the left of the hardest hard funk tradition, James Brown circa "Sex Machine" and "Mother Popcorn," rocking the body by pushing the beat (like Trouble Funk or the Treacherous Three) rather than teasing it (like Spoonie Gee or Soul Sonic Force). This almost athletic physical excitement, this willed and urgent hope, has been the core of their real message no matter what party slogan or all-night boast they've set it to. It's a disgrace that Sylvia Robinson's latest attempt to cash in their rep fades away to the forty-five edits that never did a thing for them--even "The Message," which doesn't lose a word except its coda, surrenders an unbearable tension along with its instrumental breaks. Culturally depriveds who don't own such twelve-inches as "Birthday Party," "It's Nasty," and "The Message" itself are advised to settle if they have no choice. B+