Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Half Japanese: Loud [Armageddon, 1981]
Art moves get a lot more half-assed these days than this musically illiterate atonal jazz-punk. The noise becomes wearing, and (ask DNA) professional recording would do wonders for the textures, but front man Jad Fair is hysterical in more ways than one, and both are appropriate. My favorite moments are his plans to trash his high school, his squalling baby routine, and his mysteriously sexy Doors cover. B