Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Youssou N'Dour: Nelson Mandela [Polydor, 1986]
One NME raver cites Einstürzende Neubauten, which may not turn everybody on but does imply Eurocentrism subjected to underdevelopment and its discontents. I hear a gifted singer making a choppy crossover move. The horns recall the pretentious big-band clutter Dave Crawford and Brad Shapiro worked up for a fading Wilson Pickett, and the tama drum is so far up in the mix it tapdances on the groove. N'Dour's high Islamo-Cuban cry and crack Afro-Gallic byplay generate plenty of intrinsic interest, but only on the simple little "Magninde" do they avoid fragmented overconceptualization. If you say it's ethnographic condescension to prefer the more organic effects of Immigrés (Celluloid import), I say it's reflexive progressivism to claim that nobody ever trips going forward--or that every African pop star is a moral force. B