Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

James Brown: Hot [Polydor, 1975]
This record has a bad rep. Most of it was reportedly cut with arranger Dave Matthews by New York studio musicians and then dubbed over by JB, and the title hit didn't do as well among blacks as David Bowie's "Fame," where its guitar lick first went public. But side one really works. If Brown did cop that lick, he certainly had it coming, and except for the sodden "So Long" everything else is touched with the extraordinary, from the cracked falsetto that climaxes "For Sentimental Reasons" to the stirring male backup on "Try Me" to "The Future Shock of the World," a high-echo rhythm track on which JB does nothing but whisper the word "disco." Unfortunately, the dance vamp and ballads overdisc are nothing new, though "Please, Please, Please" (with more male backup) sounds fine in its umpteenth version. B