Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Mike Watt

  • Contemplating the Engine Room [Columbia, 1997] C+

Consumer Guide Reviews:

Contemplating the Engine Room [Columbia, 1997]
Credwise, Watt's got it all. He was the fulcrum of a great band, he's serious with a sense of humor about it, he's got not just politics but class consciousness, he talks a great game, and, oh yeah, he networks like crazy. The only thing he isn't is a compelling artist. He can't sing at all, can't write much, and still pretends the bass solo is a viable musical form. Like fIREHOSE (sic), like his name-dropping solo debut, this "punk rock opera" ("I just hate the words 'concept record.' That's fucking tired-ass, where opera's funny") looks great on paper and hasn't been played for a year by anyone it impressed. It will prove a valuable resource for the numerous forthcoming doctoral dissertations on the alternative rock subculture. C+