[A] Just checked my NYU files and found there a solid six-graf lecture on Jordan. Will scrounge around a little more and try to make a Big Lookback out of what I found. Jordan is all too forgotten. Be worth giving him some of the notice he deserves.

[A] Without bearing down and writing reviews of these records, all of which I like, I would just say this: Freewheelin' was my first Dylan album and probably remains my favorite, though it's not electric and that's partly a kind of nostalgia anyway. As for the first three electrics I'd start with Highway 61 and Bringing It All Back Home though I play Blonde on Blonde more than either and have long nurtured a fondness for the underrated New Morning.

[A] Sure I knew Wes Goodwin. He was a damn good illustrator who, like my sister Georgia, put in years at the Voice. They met at the Christian college I think they both graduated from, although as I recall Was wasn't actually a Christian and by then Georgia was losing the faith as well. Both of them worked at Creem in its early years, and they were quite a serious couple for a while, plus Georgia was night editor at the Voice for a while. She now lives upstairs from me with her husband Steven Levi, who she met at the Voice, and was in contact with Wes in Baltimore before he died. His artwork hangs in her apartment. Good guy, though he did drink.

[A] Again, again, again--I'm much too busy with sound recordings to listen to podcasts, though that doesn't prevent me from making one once in a while. If there's a printed version of the "Honky Tonk" I will certainly read it. Reading--as a professional writer I'm really big on reading.

[A] Please do not take too literally thoughts I had churning out an all-nighter, one of my very first Voice columns as I recall, at a time when few were aware that the Kinks did anything worth their while after "You Really Got Me," the divine "Waterloo Sunset" included. In late March when I was writing I greatly admired and probably overrated Village Green. On the other hand, they were the first band I saw live--in Detroit, with a woman I remember warmly who had almost no idea who they were--after breaking up with Ellen Willis, and as I recall were fun enough although I was in no condition to judge. As for Something Else, I only own it on vinyl and doubt I've played it in 50 years, though I also would guess I'd enjoy it if I ever did. You obviously love the Kinks and have every right to, although I found most of their post-'73 output pretty wan (as I recalled and then double-checked in the first CG book). For me they were a pretty darn good band for seven-eight years who wrote one of the most beautiful songs in the English language. Were a guest to request them I'd pull something out, vinyl perhaps included.

[A] Decided I wouldn't mind hearing it again and pulled out my vinyl but ended up streaming it on Spotify. Released 1968, hence pre-Consumer Guide. Immediately sounded and still sounds as I write like a certain A minus and maybe a full A. Lacks the novelty brilliance of Hoboken Saturday Night, not to mention the little kids singing about "busketty worms" or the Moondog cameo. Also sounds like nothing else--eccentrically and even willfully jazz-inflected folk/blues-rock with a gentler groove. Check it out.

[A] I don't know that I'd rank One Hundred Years of Solitude over Marquez's gorgeous Love in the Time of Cholera myself. I also liked his Chronicle of a Death Foretold quite a bit. He's obviously great. But Reasons of State remains a relatively obscure motherfucker for sure.

[A] All these quiddities are there for the exploration, but only by someone who's really moved or perturbed by said quiddities--someone younger than me, for instance, but not you. As for the novel you sent, I began it twice and never got to page 50. More quiddities for you.

[A] There probably is such an artist, but that's exactly the kind of personal factoid you can't pick out of thin air. You have to trip over it as you pursue a related matter. I sat here musing for a few minutes and got nowhere. Dinah Washington, whose '76 vinyl twofer I once recommended in passing, might be worth a shot. As for one-offs, you could say Have Moicy! Doesn't really count but I say it does. Hoboken Saturday Night is a good one (and also not truly a one-off), but not in that league. Less fun, but you could put Hanging Tree Guitars on the short list too. And now I'll stop before I sprain my brain.

[A] That's a pretty good list--only Guaraldi wouldn't be a candidate for me. My (similar) sleeper is Dave Brubeck, whose Jazz Goes to College was my very first true jazz album and who I play fairly often--Carola's just the right age. Played Jazz Goes to College at dinner recently and not only did Carola love it but Nina thought it was quite OK. I also play my small Nils Petter Molvaer collection (right near Monk in the shelves) often with pleasure--as much as Bird or certainly Blakey (mostly because I've never immersed properly in Blakey, I suspect).

[A] Generalizing about The State Of Pop Music is a fool's game I have no desire to play, but it's definitely the case that (a) people do sometimes just lose their taste for the new stuff and (b) that it evolves for a multiplicity of economic, sociopolitical, and technological reasons. What I certainly am willing to say is that if I'm a crucial source of guidance for you and some of my recent enthusiasms aren't ringing your chimes for one reason or another, maybe I've just outlived my usefulness for you. Owning thousands of albums and spending as much time with my music-loving wife as I do, I can certainly say that playing Arto Lindsay's Mundo Civilizado certainly made breakfast feel like a feast yesterday morning and that I'll probably be digging out a less certain pick soon. Then there's one more thing: jazz. I'd bet plenty that there are lots of jazz artists you barely know at all. Explore that avenue for a while. Spotify makes it so easy, but buying a few likely-sounding CDs would be even better.

[A] I didn't know Chance or whatever we are to call him had died until I received your query, but for sure much worse people have lived to 71, like for instance Donald Trump. When I was first aware of Chance, decades ago now, I thought he was a jerk as a person but a not altogether uninteresting musician, as in this review: "Bohemias are always beset by ambitious neurotics who hawk their obnoxious afflictions as if they're the future of the species, which is why in theory James White's music is better without the words: you get the jagged rhythms and tonic off-harmonies without being distracted by his 'ideas.' But in fact the music is so (deliberately) stunted it needs a voice for sonic muscle, and James's lyrics do have a certain petty honesty and jerk-off humor. 'I Don't Want to Be Happy' should separate the believers from the spectators quite nicely. B+" (Yes, Chance did sometimes call himself "White.") But I am sorry I have to go into the Artists Space incident yet again, which I once did when Thurston Moore was writing a book he never sent me when it was published. For sure no blood was involved no matter what it says in Bernard Gendron's From Montmartre to the Mudd Club. Anyway, it happened at a nonprofit-I-think downtown spot called Artists Space where my then-young friend Perry Brandston was doing the sound, with his stepfather Bob Stanley and mother Marylin Herzka, both very close friends and both now deceased, in attendance. One "cool" thing Chance liked to do was stride or clamber out into the audience and hit people--not hard, he was a shrimp, just annoying taps. But when he chose Marylin as one of his targets, Bob Stanley, an excellent painter with zero tolerance for "avant-garde" BS, waded onto the floor and to the rescue until, as I recall it, whatever passed for security goons at Artists Space pulled him off. Whereupon I entered the fray, which is to say I sat on Chance until I in turn was either pulled off or persuaded to desist. So to repeat: despite what Gendron reports third-hand, no blood was shed.

[A] Sorry, but you just asked me to do three-four days of work--part of my secret as a critic is that I don't jump to conclusions. But I can tell you that The Immortal Otis Redding has been an all-time favorite of mine for more than half a century and I still remember returning to King and Queen with great pleasure a few years ago. And should you choose to make the effort, which if you're so interested you probably should, check out my site, where several other Otis albums are graded and others listed in a complimentary way.

[A] I think you're misinterpreting the word "forerunner." It doesn't mean "forefathers"; it doesn't assume a bloodline physical or metaphorical. Seems to me what Berman's saying is that even in alien Russia, which he means to situate at least in part in what is called "the West," thoughtful people were struggling to adjust to the modernity his book means to map.

[A] "Clinically depressed" is a diagnosis I've most likely evaded, but that doesn't mean I've never been blue for a substantial period, in what seems to categorized as situational depression. I write about it in detail in the college chapter of Going Into the City. Two factors pertained: one, my loss of the born-again Christian faith that promised me eternal life, and two, my growing hunch that the only girlfriend I'd ever had (and also, although I didn't know it at the time really, quite a catch--many of my male high school classmates liked her too, yet somehow the Christian nerd and youngest member of his class won her heart) wasn't quite the perfect creature I'd initially believed her to be. So for two years at all-male Dartmouth I walked around with a knot of romantic disillusion and existential anxiety cramping my gut. I literally could not take a deep breath. Only then one day early in my junior year I took a breath and it went all the way down. A big relief. I continued to suffer from both existential uncertainty and romantic disillusion. But I was over the worst of it. I finally broke up with my gf a few months after I graduated, and I was right. But I have no doubt she deserved better than I found myself able to give her.

[A] Anyone but a genuine expert who writes about the appalling Gaza war risks being incomplete and probably wrong. I cited that hospital bombing story because that early there seemed some reason for hope that the war would resolve itself with a modicum of sanity. It wasn't yet clear just how appalling Netanyahu would prove to be--or, I will add with my hands shaking, Hamas either. The "lots" I know is too little and in public at least I intend to say as little as possible. I've long believed in a two-state solution and this war is easily the cruelest and most gruesome international conflict of my adulthood. But it hasn't yet turned me into a full-bore anti-Zionist, because as an American of German extraction with many dozens of Jewish friends, I've spent too much of my life taking anti-Semitism seriously to put it on any sort of back burner now.

[A] Of course a schlocky band can come up with a first-rate song. I love that soundtrack--it's among my most-played albums even though it never came out as a physical. So I hereby recommend it to anyone who's never heard it, and yes, the movie is also terrific. Lady Antebellum benefited enormously in this context by providing the soundtrack with its title song. They also distinguished themselves by changing their name to Lady A in 2020 after being bombarded with criticism for the pro-Civil War implications of their name. Shortly thereafter (Wikipedia's is a good source on the details) they found themselves in a lengthy dispute with a Black blues singer yclept Lady A, legal name Anita White. Sampling White's top five blues/bluesy songs on Spotify, she's actually damn good--in my opinion better by far than Lady Antebellum/Lady A the country warhorses.

[A] I'd need to listen to a lot of blues records before working out a position on that conundrum, but as to "bitch" in hip-hop I'm basically against it without boycotting it--the word's tone does fluctuate radically in that context plus don't expect me to forget much less dismiss Roxanne Shante's great lost The Bitch Is Back. In addition let me note that my brief review of the Stones' 2015 Brussels Affair suggests that it's time to remove "Midnight Rambler" as well as "Brown Sugar" from their canon.

[A] I have no doubt that my Christian upbringing played an active role in shaping my humanism. "Love thy neighbor" was definitely a watchword at First Pres even if not all the parishioners lived by it. Also, my church library was one of the first places I found books about ideas, and I read several of them, which helped make me an intellectual, though I always preferred both fIction and books about baseball. But given the extent to which the leftist humanism of dozens upon dozens of my Jewish friends moved me in that direction, I identify more with that strain of secular humanism. As for the name "Christgau," there's a Danish brand of coffee called Christgau--an empty bag of it hangs from my office door. Then again, so does the remains of an envelope addressed to Rabbi Robert T. Christgau. In either German or Danish or maybe both the suffix "gau" seems to mean something like region or county, and I seem to recall that under Hitler certain states or geopolitical entities were called "gaus."

[A] An entire chapter of my memoir, Going Into the City, is about Dartmouth, and I assume you would find it enlightening. In NYC I was only allowed to apply to three colleges plus a CUNY, and I no longer remember whether Cornell and Hamilton wanted me, but Dartmouth gave me a scholarship, maybe because I had a great-uncle who attended on a football scholarship, didn't graduate (blew a knee, for one thing), then became an alumni association heavy of some sort; he was also a drunk who was run over by a bus in Cooper Square a few blocks from where I've resided for half a century. So he might have helped. In addition my College Boards were off the charts though my high school grades weren't, and math chairman although not-yet-prexy John Kemeny called me in to bawl me out for choosing the "gut' Math 3-6 option instead of Math 1-2 because it was the easiest "science" "sequence" and all I wanted to do was study literature and philosophy, which I then did for four years. My grade average was good-not-great because I have no knack for foreign languages--cum laude and Phi Bet but not by much. But I absorbed a lot of literature and philosophy there and made a few lifelong friends in English Honors and on the fringes of what passed as the undergraduate bohemia. I was the youngest member of my class.