Xgau SezThese are questions submitted by readers, and answered by Robert Christgau. New ones will appear in batches every third Tuesday. To ask your own question, please use this form. March 05, 2019[Q] Let's say you could put together a fantasy rock band the way some people put together fantasy sports teams. If you could pick your favorite rock singer, guitarist (or two if you like, for lead and for rhythm), bassist, drummer, and maybe keyboardist--without picking twice from the same band--what would Dean Christgau's resulting lineup be? (Also, since this is a fantasy, feel free to include deceased musicians here--we can always practice necromancy if need be.) -- Elijah, Sacramento [A] I'm going to overlook the fundamental silliness of this
question--bands are among other things about personal synergy, which
is why supergroups suck--and also stretch your guidelines because, I
admit, you got me musing anyway and I thought it would be fun to
answer, only answer my way. I'll start with bass because it's easiest:
James Jamerson. His great disciple McCartney probably ended up knowing
more about harmony, but he's the man and always will be. Drummer:
Charlie Watts on the one hand and Ziggy Modeliste on the other plus
let us not forget Jabo Starks and Clyde Stubblefield, so to subsume
them all I'll choose an LA studio drummer who cut his teeth in New
Orleans: Earl Palmer. Lead singer: John Lennon, who will also play
some rhythm guitar, only on rhythm guitar-plus we also want Lisa
Walker, who by the way we'll also let sing, although not so as to get
in the way of Carola's nominee, the fetching Etta James. Lead guitar:
Robert Quine. And since you granted me keyboard space I'll pick a
piano man who might also sing and even pick up a guitar now and then,
quite possibly overwhelming all our other guitarists in the
process. Fellow who goes by the moniker Prince.
[Q] I have been an avid reader of your guide since 1978, and you have been a great influence on my musical selections. Although I still have guilty pleasures like Thor, you hipped me to genius like P-Funk, John McLaughlin, Terry Riley, etc., whose CDs I avidly purchase at the discount/used bins. Question: approximately how many questions do you receive each week? I ask because I figure you probably get so many that you must pick and choose for Xgau Sez. -- Chris Schneider, Long Branch, New Jersey [A] It's less now than at the beginning, but generally several a day, many
of which seem too specific to bother with, although what I choose can
be pretty impulsive--if an answer just pops into my head I'm liable to
pursue it. I cut down to once every three weeks not because there
weren't enough to engage my interest but because I work pretty hard at
my
Noisey column, am promoting two books, have lots of the kind of
health and family obligations that accrue to the elderly, and just
spent a year in which I didn't see enough of my friends. So now I'll
ask you a question. Who the hell is Thor?
[Q] Today's CD players are a lot better than the old ones, especially when it comes to converters; "a new laser" is not all you need! I've never seen a stranger "product placement": where did you get the idea that Bose qualify as "quality speakers"? (The ones I use cost me $270, so it's not a matter of price.) -- Beppe Colli, Catania, Italy [A] As I've said before in this space, I am not an audiophile. At 76, I
never will be. I actively dislike luxury goods and prefer my couture
from L.L. Bean. Perfect sound forever means nothing to me. Vinyl may
be "richer" than CDs (and may not), but I love CD convenience. I do
have a professional audio advisor who thinks the Boses are fine for my
purposes, which he understands well. I have now owned four Sony
CDP-CR375 changers (and hence now own four remotes, which is useful,
they get mislaid), two or three of which I bought used. My only
complaint is crucial, however: after a while they stop recognizing
CDs, need to babied into it by manipulating the stop button and other
fussy stratagems. That machine fits perfectly in my very cramped
workspace, plus I really know how it works. FWIW, I still write when
possible in DOS-based WP51, a superb word processing as opposed to
self-publishing program that dates to 1991. I convert to Word--7 I
believe--for email purposes.) My email service provider is AOL because
Gmail insisted my handle be at least six characters. I never have been
and never will be on Facebook. Etc. Any practical suggestion regarding
how I nurse along my actually existing CD changer would still be
greatly appreciated. Or maybe I need to buy a new one I won't like as
much.
[Q] Has an artiste ever returned from the limbo of Everything Rocks and Nothing Ever Dies? -- DTL, Toronto [A] Counting just stuff I've caught and enjoyed--I can't fairly speak for,
say, the Nitty Gritty Dirt Band or Ruth Brown, who I suspect might
have managed to reach fair-minded nonfans better attuned to their skill
sets than I am--I note four: Boz Scaggs's moderately astonishing 2015
A Fool to Care, which I've
mentioned before here; the terrific 2009 album Asleep at the Wheel did
backing
Willie Nelson; the first good album I ever noticed David Bromberg
making, 2016's
The Blues, the Whole Blues, and Nothing but the Blues, which is so
much fun I wouldn't be surprised if there were other gems lurking in a
catalogue I never paid the slightest mind; and the
Lady Gaga-Tony Bennett album,
where Gaga is superb but Bennett definitely pulls his weight.
[Q] In your review of Lupe Fiasco's Tetsuo & Youth you end with: "The final interlude is called 'Spring,' only it's not an interlude. It's the end. Nothing follows." My question is why phrase it like that? Is there something you found important about its placement at the end? Something about the cyclical nature of life? -- Tom, Philadelphia [A] Obviously naming the instrumental interludes after seasons refers to
the cyclical nature of life. But this is a dark album, and by
announcing spring, the most cliched symbol of rebirth, and then going
silent, I expect Fiasco meant to imply uncertainty and possibility
simultaneously. The final song of the Winter section is the ambiguous
but ultimately positive "They.Resurrect.Over.New," the title a play on
the Pete Rock & CL Smooth mourning song "They Reminisce Over You."
The "Spring" interlude includes playground sounds, so I'd say it stays
positive. But he'd still rather listeners fill in the blank on their
own terms.
[Q] You have mentioned W.C. Heinz as an influence and inspiration but I don't recall you ever discussing boxing. Curious as to whether you are/were a fan and if so, which fighters/fights may have been favorites. Also, your fondness for baseball and basketball plus your distaste for football has been documented. Wondering what other sports you follow closely or enjoy watching. -- Jim Chaffin, Melbourne, Florida [A] A Google search of my site indicates only three hits for "Heinz," all
of which concern beans. You're referring to the legendary sportswriter
W.C. Heinz, perhaps because the boxing writer in question also has a
double-initial sobriquet:
A.J. Liebling. I like all of Liebling's writing, but the boxing
book you have in mind remains one of my favorite essay collections,
and I do love essay collections: The Sweet Science. I was never
much of a boxing fan, however. Got into basketball during the Patrick
Ewing and Jason Kidd years, then slacked off, and watch tennis
occasionally--it was my father's sport and my sister is a big fan. But
basically I'm a baseball fan who only recently--basically with the
advent of MLB's Gameday feature--stopped listening to every
Yankee game on the radio while
he also listened to music, which was not a healthy habit. I read
baseball books occasionally, but it's been awhile, and read coverage
mainly in the Times, which has neglected the sport shamefully
in the past few years (unlike Rupert Murdoch's rag, the
Post). Football I never liked and hockey I hate, both for the
same reason--a glorification and, in a way worse, normalization of
violence far exceeding boxing's. And although I'm obviously a Yankee
fan for life, I wasn't altogether disappointed when they got whipped
by the Red Sox. I had more important things to do last October, in
particular paying as much attention as possible to my cancer-stricken
wife--who is, to answer another question, in a remission her
oncologist calls "better than remission." This doesn't mean there
won't be a recurrence--with multiple myeloma, there probably will be
unless the cure they say is in sight arrives. But it will be
treatable.
[Q] Who are some of your favorite writers? -- Will, Atlanta [A] Funny you should ask, because it's the perfect excuse for me to link
to the Book Reports intro Duke just put online. But because you
were generous enough to give me this opening, I'll add that I think
everybody should read a little Dickens--Bleak House and
David Copperfield are the masterpieces, but if you want
something a little shorter Great Expectations is wonderful--and
that in the last 16 months or so I've read seven long novels by
science fiction titan Kim Stanley Robinson. His Mars trilogy is
magnificent and I just got knocked out by Aurora, a big chunk of which
is narrated by a computer that/who learns what love as it learns to
write. Now here's that Book Reports
link. I hope the table of contents is of interest too.
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