Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Kid Koala: 12 Bit Blues [Ninja Tune, 2012]
The turntablist prankster has set himself up to fail here, which he may think is blues and I don't, just as he may think blues recordings should be rough stuff in the Alan Lomax mode whereas I think they're better served sonically by Leonard Chess. Anyway, nobody who knows blues as well as I do, which is medium well at best, is also going to know enough about turntablist technology to truly understand what it means to eschew sequencing software in cobbling together bits and pieces of a blues album on a classic and therefore long outmoded E-mu SP-1200 sampler. Too crude not just for Muddy Waters but for one of those also-rans the Revenant and Yazoo folk sneak into their secret histories, the songs Koala fabricates are songs in form only. Yet this isn't to deny their tunes or even hooks, nor to deny they're blues. After more time than anyone from either camp will be inclined to give it, the album takes on a compelling, sui generis sonic identity, at least for someone from the blues side. What the turntablist side might think I am unqualified to guess. A-