Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Randy Newman: Bad Love [DreamWorks, 1999]
After an annuity's worth of soundtracks, a box stuffed with marginalia, and Faust, his first true album since 1988 finds him more cynical than ever, about himself above all. Having called one cheap joke "I'm Dead (But I Don't Know It)," he explains the belated tribute to the wife and family he kissed off in the '70s with a simple "I'd sell my soul and your souls for a song," then announces: "But I wanted to write you one/Before I quit/And this one's it." Thing is, cheap jokes and cynicism have always been his gift to the world, and when he's on he can twist the knife. In joke mode, check out not only "I'm Dead," so anti-Randy it'll have young yahoos saying amen like they just discovered Mahalia Jackson, but two of his cruelest political songs ever: one a history of early imperialism where the punch line is HIV, another addressed with dulcet malice to Mr. Karl Marx. For cynicism, try "My Country," which might just be about his family too, and "Shame," where Newman plays a hateful old hard-on indistinguishable from himself. Twisting his croak a turn further are the most articulate arrangements of his singer-songwriting life: jazzlike, but in a piano-based rock context that shifts at a moment's notice to any voicing (Hollywood-symphonic, country march, pop-schlock) that might reshade a meaning or make the ear believe what the mind can't stand. There are a few ringers. But the last time he was so strong in this mode he was married to the wife he misses. A