Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Bette Midler: No Frills [Atlantic, 1983]
Although it helps that she gets stronger material than usual from yet another phalanx of International Pop Music Community pros, what makes this Bette's best studio album in a decade is a Habana production number set in Miami, a newly written Sophie Tucker song about a driving wheel, and not-quite-comic readings of Marshall Crenshaw and Jagger-Richard. What makes it not good enough is the curse of Broadway rock and roll--the beat is conceived as decoration or signal rather than the meaning of life, or even music. B-